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The Magic Cafe Forum Index » » Penny for your thoughts » » Best ESP effect (9 Likes) Printer Friendly Version

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Mister E.
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Quote:
On Nov 22, 2017, JanForster wrote:
You might want to look this up: http://www.themagiccafe.com/forums/viewt......art=20#2 ...Smile Jan


If you haven't clicked Jan's link yet, you are missing out on an incredibly generous offer.
Jerskin
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Thanks for the link and thank you Jan.
GrEg oTtO

MUNDUS VULT DECIPI
markymarkmagicuk
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Well, the best ESP effect is NOT Smart ESP from Matt Smart! In my opinion!
If you've never seen this, watch a trailer from a dealer. Now I understand that many commercial tricks have multiple outs, but... come on... this is awful. When revealing you "knew" the card stopped on, it's confusing, vague and almost made up on the spot! Being a fan of esp packet effects I was somewhat disappointed with this as a purchase. Still I guess someone likes it as it appears popular!
Not for me!
loserdlj
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The ESP effect on submodalities by Dave humphries
hotjacket
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Paralabs' Depicting Thoughts - been using it for years and it never fails to impress.
Luciole
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Jazz Mentalism by Dave Humphrey
Shape-up by Max Maven
Symbalance by Max Maven
ESP Stack by Richard Osterlind
cbarron
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Have to mention my own Rhine's Revenge!

https://www.alakazam.co.uk/product-Rhine......ron.html
Waters.
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Or Jazz Mentalism by Dave Humphrey
Follow the link...
www.experience-architecture.com
Chris K
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Quote:
On Dec 16, 2019, Waters. wrote:
Or Jazz Mentalism by Dave Humphrey


100% agreed. I enjoy “Bob’s Your Uncle” (Doug Dyment) and several other effects but Jazz Mentalism gives me the best ratio of time, impact, and trade-off.
Steven Keyl
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I will second Clint's Rhine's Revenge. I've been using it for a long time now, and it is my go-to ESP effect.
Steven Keyl - The Human Whisperer!

Come visit Magic Book Report.com!

"If you ever find yourself on the side of the majority, it is time to pause, and reflect." --Mark Twain
ddyment
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It's also important to consider the performing context. Will it be used as a close-up/impromptu piece, or as a component of a stage routine?

I've always liked the Zener-symbol-matching sequence:

1) Entertainer matches the symbols chosen by the participant.

2) Participant matches the symbols chosen by the entertainer.

3) Participant matches the symbols chosen by the entertainer, without looking at the symbols (just going by intuition).

To me, this seems likes a nice (and, unlike some, fully motivated) progression, and it also makes the participant the star. The ability to do this fully impromptu, with ungaffed cards (even ten borrowed playing cards, in a pinch), makes it a worker in my world.
Doug Dyment's Deceptionary :: Elegant, Literate, Contemporary Mentalism ... and More
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