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The Magic Cafe Forum Index » » Rings, strings & things » » Torn and restored cigarette paper (5 Likes) Printer Friendly Version

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alexanderN
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the Netherlands
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Guys,

I'm trying to master Undivided from Martin Lewis. It is a great version of the torn and restored cigarette paper. I have trouble to find the right (size of) cigarette paper. The advised sort of cigarette paper (Club Cabaret) is not easy to get in Holland. Do you have a alternative, maybe a smaller size, like Mascote? Thanks!

Alexander.
deadcatbounce
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the Wilds of Ireland
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I have the Club Cabaret - exactly what you're looking for. I've PM'd you.

DCB
"With every mistake - we must surely be learning..." George Harrison.
Axel
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Berlin
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Dear close-up workers,

I am currently working on Nate Leipzig's "Tear Up With A Twist" as described in Dai Vernon's "Tribute To Nate Leipzig".
I would like to ask you if there are special ways to fold and roll up the "restored" paper, so that it
unfolds easily after the first part of the effect.
Any help would be greatly appreciated.

All the best,
Axel
ROBERT BLAKE
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When I did the sigaret paper I diagonaly folded the paper ZIG ZAG into a strip. theN zigzag fold half of it and then roll the rest. I would squeeze the packet between my fingers. this way it would not open prematurely. hope this helps.
Axel
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Berlin
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Robert,
thank you very much for your help.
I will give that a try.
Cheers,
Axel
Nala Nosmoht
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Surrey,B.C. Canada,
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I also have a couple of Double Wide Club Cabaret papers available.
Nala
Magic_son
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Peter Studebaker has a long horn paper tear that can be found on his Classic Studebaker DVD. Real good handling, and more angle proof.
Nala Nosmoht
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Surrey,B.C. Canada,
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Oops! that should be a couple of packages of Cabaret papers! not a couple of papers.
nala
Bill Hegbli
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Eternal Order
Fort Wayne, Indiana
22797 Posts

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Quote:
On Apr 9, 2015, Axel wrote:
Dear close-up workers,

I am currently working on Nate Leipzig's "Tear Up With A Twist" as described in Dai Vernon's "Tribute To Nate Leipzig".
I would like to ask you if there are special ways to fold and roll up the "restored" paper, so that it
unfolds easily after the first part of the effect.
Any help would be greatly appreciated.

All the best,
Axel


Part of the magic is the presentation. I use to do Lipzig's version, and it is not an instant restoration. The pulling of the paper out a little at time is part of the magic. Slowly the paper grows bigger and bigger, as you smooth out each portion of the paper.

Without pulling my book out, I thought it was explained how Lipzig crumbled the reveal piece.
Axel
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Berlin
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Quote:
On Apr 10, 2015, Bill Hegbli wrote:
Quote:
On Apr 9, 2015, Axel wrote:
Dear close-up workers,

I am currently working on Nate Leipzig's "Tear Up With A Twist" as described in Dai Vernon's "Tribute To Nate Leipzig".
I would like to ask you if there are special ways to fold and roll up the "restored" paper, so that it
unfolds easily after the first part of the effect.
Any help would be greatly appreciated.

All the best,
Axel


Part of the magic is the presentation. I use to do Lipzig's version, and it is not an instant restoration. The pulling of the paper out a little at time is part of the magic. Slowly the paper grows bigger and bigger, as you smooth out each portion of the paper.

Without pulling my book out, I thought it was explained how Lipzig crumbled the reveal piece.


Thank you for taking the time to answer!
And you're right, there is a description in the book on how to fold up the paper.
But to my taste the whole description of the effect could have been a little more detailed and generally better written.
And you're also right that this doesn't need or should be a flash restoration.
But at that point in the routine one's hands are not completly free to unfold the paper. And if you need to regrip
the paper too often it could all look a little suspicious.
Hence my question if someone had a better way of folding the paper.

But I agree that I probably just have to work on it a little longer to get more comfortable.
I tried Robert's handling and it already made things easier for me.
I'll keep practicing.

Thanks for your answers,

Axel
Kabbalah
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Here is what it should look like...

"Long may magicians fascinate and continue to be fascinated by the mystery potential in a pack of cards."
~Cliff Green

"The greatest tricks ever performed are not done at all. The audience simply think they see them."
~ John Northern Hilliard
Axel
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Berlin
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Exactly...
;)
ROBERT BLAKE
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AL KORAN had a great presentation which he did on stage.
book = PROFESSIONAL PRESENTATIONS by Hugh Miller, page 36.
Bill Hegbli
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Eternal Order
Fort Wayne, Indiana
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That video performance is exactly how I use to do it. Notice the paper is straighten out at the end, that is what I was trying to explain. Good trick and could be built with a lot of laughs, being just about everyone has cigarette papers on them. Smile
Dick Oslund
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Quote:
On Apr 11, 2015, Kabbalah wrote:
Here is what it should look like...




I've never been a smoker, so I never got "into" T&R cigarette paper. After seeing you do it, I wish I had been a smoker!!!

That was just delightful.

Thanks for sharing it with us.
SNEAKY, UNDERHANDED, DEVIOUS,& SURREPTITIOUS ITINERANT MOUNTEBANK
ROBERT BLAKE
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Dick, I am not a smoker but I still do the pipecleaners thumb tie.
Dick Oslund
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Being as closely associated with Jay as I was. I naturally tried his JASPERNESE Thumb Tie.(the method is EZ, but, I couldn't find the right presentation.)I had tried many variations like the "Red Tape" (Weiner)most of the string, cord, rope, etc. methods. Bev Bergeron and I even discussed Harry Willard's method, --and,presentation. I almost forgot, I also played with the old Austrian Thumb Cuffs as used by Milbourne Christopher on (I think) the TODAY TV SHOW. I just couldn't find the right presentation for ME!

Now retired, I do only a few shows, and it's not easy to break in material when you are only working occasionally. I always liked the Thumb Tie because the props could carry (except for a hoop)in your shirt pocket. I even had a special hoop made to do Karrell Fox's "bit".
SNEAKY, UNDERHANDED, DEVIOUS,& SURREPTITIOUS ITINERANT MOUNTEBANK
Leo Reynolds Jr
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Http://www.lybrary.com/torn-and-restored......ae33eea0

Michael Skinners torn and restored cigarette paper is good as any.
GlenD
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LosAngeles, Ca
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I have loved this effect for years and as of a few years ago, the Cabaret doubles (that used to be available in the "kit" from Martin Lewis) dried up everywhere including ebay. I have found that zig zad ultra thin blue seems to work well for me anyways. They do have the gum line but I just ignore it and proceed like always and it's not a problem.

Glen
"A miracle is something that seems impossible but happens anyway" - Griffin

"Any future where you succeed, is one where you tell the truth." - Griffin (Griffin rocks!)
silvercup
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I use OCB Gumless Papers 150 Leaf Booklet.
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