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Profile of Aus
If you want to explore the most effective character for the performance of magic that applies to you then you need to be pragmatic about it. Take your experiences well performing and use them to answer questions like:

What aspects of yourself will work best in the context of the kind of magic you want to do?
What aspects of yourself appeal to your audience?
What aspects of yourself will add to the conviction of your magic?
What aspects of yourself will best produce the kind of reactions you want to elicit from your audience?

Taking your experiences and experimenting with your character will yield you the answers to those questions and much more over time.

Also, the type of magic you perform can define the character you adopt. With magic having a multitude of themes like mental effects, gambling routines, comedic magic, occult effects and others, it might be a good starting point to ask yourself what tricks you like to perform and what those tricks suggest about the person who would perform them.


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Profile of DaveGripenwaldt
A while back, I posted this in another thread touching on some of the same issues as your post, so some of it may apply for you.

Like Dana and Chris, I am a big believer in having your performing persona be an extension of yourself. Sure, there are people that can pull off a Meryle Streep-like transformation into any character, but most people lack the talent and experience to do that. Being yourself (or close to it) is so much easier to pull off. So that’s where I would start.

1. Know how you come across as a person. Funny? Serious? GQ? Professorial? Charming? Pushy? Con man? Friendly? Current? Chris' suggestion of talking to your friends about how you come across is so valuable - don't miss that one. The adjectives and descriptions of how they see you are gold for developing a performing style that fits.

2. Build on that. Create your on-stage personae out of how you come across naturally.

3. Build on that. Who you are can suggest how you present material. Suave, man of the world? Con Man? Pop Hayden? Chris Angel?

The added benefit of doing the above work is that it will help you make fitting choices in material; helping suggest and reject specific tricks because they flow out of your personae rather than being shoe-horned in because you happen to have bought the prop when you were 12. Shin Lim could choose to do the 20th Century Bra trick, but I doubt he doesn't fit his style and persona.

5. Build on that. Take the material you like and that fits (or you can make fit) your personae and think about how that trick's presentation matches you. Pop's videos are a perfect example of that approach. Another example is Gregory Wilson's character of The Honest Con Man. So, though he can perform twisting the aces with any presentation he wants, he makes it fit by presenting it as a demonstration how a con man can distract/misdirect you. Every ace that turns over becomes a further proof he got you to look away just long enough to do the secret move. It takes a simple routine and makes it a stronger, more memorable performance piece because the patter and presentation makes sense with his performing style.

6. Build on that. Ask yourself why are you showing a particular trick to the audience? An effect can have any number of story arcs, so which one fits in with all of the above?

This is the first trick I ever learned...
There are ghosts...
There are no ghosts. This is really what is going on...
I got scammed the other day...
This is how you can be scammed...
Science just discovered that...
Have you seen the latest security tech?
I found this at a garage sale and...
Do you believe in mind reading?
Mind reading is just face reading...
The NSA is listening to everything...
Let's make a friendly wager...
One time I saw a guy do the weirdest thing...

7. Build on that. Write the trick's specific story content that is consistent with the premise and persona.

8. Build on that. Hone the script through real performance...tweaking it as new lessons are learned and lines come up on the fly.

Good luck on sifting through all that's been shared and applying it to your unique style.
Pop Haydn
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Inner circle
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Profile of Pop Haydn
Just gave a lecture Sunday Dec 17th at the Magic Castle on Magic and the Magical Character. 40 pages lecture notes available:
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Profile of kaubell
Every person has their own size clothes, favourite shirt and pants and so on

When you ask how to do double lift, its reasonable
When you ask who am I, only you know it

The thing you might want to consider is, don't put any words for any actions. Be wordless of yourself.

don't be funny, just be. If they laugh, then they laugh. Its not because you are funny, its because they laugh.

The psychology behind any word goes so deep it takes weeks to analyze how powerful words are.

If person would born into middle of jungle, not knowing anything, then he couldn't even talk or know anything. Hes personality would be real himself.
When person borns into this sophisticated modern world, we are full of words which determines ourselves, our actions, style, etc..
"im funny guy", "im sad person", "im mad person", "im angry person". Every word has powerful meaning.

These words, that determines ourselve can raise us, or destroy us. Words will eventually determine our whole life.
"im depressed, sad person" or "im bright, full of life person". Words becomes you.

Truth comes from the jungle, just be yourself with your own passion for your own life, for your own actions.
don't be words, be wordless, that is who you are.
Black Hart
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Scottish Highlands
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My Black Magic Theatre Show and Seance is pretty 'dark', but there is humour in it. You need a little light to make the dark seem even darker... Smile

I think that it was Tony Andruzzi (Maskelyn ye Mage) who said, "Be something you are not rather than someone you are not."

Keith Hart
Black Artefacts, manufacturer and dealer of weird, bizarre and psychic magic:
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