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Jonathan Townsend Eternal Order Ossining, NY 27369 Posts |
Quote: Where do you recall Guy discussing the how-to of vertical false counts? He discusses how to spread the cards for his alignment procedure and the sleight which happens during the "wave" yet I'm missing where he discusses the basic block transfer needed to do Elmsley (even) and Hamman (odd) counts.On May 3, 2020, Russ182 wrote:
...to all the coins I've dropped here
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bobmag56 New user 61 Posts |
This is probably not the answere your are looking for, but it works for me. If I am sitting, I simply extend my hands so they are closer to the viewers. Naturally, I must keep keep the hands fairly close to table top so they can be seen. However, the easiest for me is to stand in a crouch position.
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Bob G Inner circle 3007 Posts |
Thanks, bobmag56. Crouch position wouldn't work for me due to back problems, but I'm glad it works for you! I think I have a pretty good solution, though, which is just to turn my wrist and forearm a bit after each take, so that the taking hand is horizontal with its palm facing spectators.
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emanuele New user London 59 Posts |
There are two solutions to the problem:
-Hollingworth's vertical counts. However you can work yourself a vertical handling of an Elmsley count. -Tamariz's solution. Just sit higher. He generally uses pillows or a higher chair to make sure he's sitting higher than what's "normal". This way, his wrists are naturally in almost a 'praying' position, making the hands lay forward with palms more towards the audience (rather than towards the ceiling), which makes the cards very visible and nobody's looking at the edges. |
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martydoesmagic Inner circle Essex, UK 1769 Posts |
Bob, Alex Elmsley himself had a very simple solution to this problem: sit on a cushion (as already mentioned by Emanuele). The use of a cushion is discussed in the Stephen Minch books on Mr Elmsley's wonderful magic. Doing this raises both of your arms up from the table and allows you to display the backs of the cards while performing the Ghost Count in a more relaxed position.
Something I've used in the past in informal situations is a leather or canvas satchel/messenger bag balanced on my lap. I keep a sturdy magic book in the body of the bag (you cannot have anything in there that will make the surface of the bag lumpy). The backside of the bag doesn't have a clasp or buckle, so works well as an impromptu close-up pad. Using a flat bag as your performing surface has five major advantages; 1. You do not need a table to perform, only a chair. 2. Your hands naturally fall in a good, relaxed position to perform counts. 3. The bag hides your crotch from your audience! 4. You can store props in a box in the bag. 5. You can use the bag to secretly retrieve or ditch items, similar to a servante. I'm currently designing a custom satchel/messenger bag with an integrated close-up pad and multiple servants. I'm planning to make it myself because I'd like to learn leatherworking. |
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Bob G Inner circle 3007 Posts |
Thanks, emanuele and Marty! I remember trying the cushion idea when someone first suggested it on this thread. For some reason I decided it didn't work -- maybe I just found it uncomfortable. I think I found it hard to arrange enough pillows to sit significantly higher. Worth another try, though; maybe find a cushion that's nice and thick to begin with.
Marty, the idea of a flat bag on your lap is really interesting. I'm envisioning a small group of people sitting in chairs in a circle, with no chair between them; is that what you have in mind? I guess you can't lap things, right? I've heard of servantes; I suppose they serve the same purpose? Bob |
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martydoesmagic Inner circle Essex, UK 1769 Posts |
Yes, everyone is sitting in chairs, without anything between the chairs (or a low coffee table, if any). This is a popular setup for professional storytellers.
The bag I'm designing will have the close-up pad on the reverse of the flap. To use the bag, you will open it and attach the flap, so it doesn't move. This will cause the inside of the bag to be accessible, in a very similar configuration to a servante. So, the plan is the bag will allow you to lap, ditch and retrieve things from the bag secretly. I'm also designing the bag so that it can be used on the edge of a table (with the performer standing). In this case, the servante will hang from the inside of the bag behind the table. |
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Bob G Inner circle 3007 Posts |
Very imaginative. Have fun with the leather-working! You've got me thinking about whether I could make such a thing, though I'm not handy...
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Bob G Inner circle 3007 Posts |
Marty,
You inspired me! My close-up pad was delivered between two sheets of stiff material, which I kept to protect it when I'm not using it. So I tried putting the mat on one of the sheets, and the sheet on my lap. It worked really well when I sat on my rolling chair. When I sat on the couch, the cards slipped away toward me because my hips below above my knees, but I think I can just put a bar of foam under the near side of the pad to correct that. Not elegant the way your invention is going to be, but simple! Bob |
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Bob G Inner circle 3007 Posts |
On a related topic: some people have suggested that I stand up while performing (with the spectators seated at the table). I'm beginning to warm up to the idea; certainly it makes the cards easy to see. There's just one thing standing in my way: I have back problems that are exacerbated if I have to lean over to do something on the table -- a ribbon spread, for instance. I wonder if anyone has ideas about how to deal with this.
Years ago my physical therapist suggested that in such situations (cutting vegetables at a lower counter, etc.), I stand with my legs apart to lower my arms. That works pretty well, but might feel awkward while performing. I might also have to bend my knees, which, at my age, can hurt a bit. Thanks for any thoughts, Bob |
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Nikodemus Inner circle 1363 Posts |
I assume you are sitting at a dining table? I just went into my kitchen to sit at a "proper" table and try an EC - it felt really cramped, as you described. What about doing your magic at a coffee table? That's what I do, in my living room. More relaxed atmosphere too.
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Bob G Inner circle 3007 Posts |
Intriguing idea, Nick -- and I like the "relaxed atmosphere" aspect. I'm interested to hear more about the "geography." Our coffee table is in front of our couch; it would be a bit awkward if the spectator(s) and I were sitting on the couch and I was laying cards on the table. But obviously other arrangements are possible.
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Nikodemus Inner circle 1363 Posts |
I was just thinking about the height, but I guess you are thinking about "angles".
I've got two sofas arranged in an L shape, with a coffee table in front of them. I wouldn't want to sit myself in the corner of the L because then I would be surrounded. But luckily my favourite spot is at the other end of one of the sofas. If I just swivel slightly sideways in my seat, the person next to me is no longer looking over my shoulder, so that works. I've never really thought about it that much. I suppose most of the tricks I know are not very angle-sensitive anyway. |
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Bob G Inner circle 3007 Posts |
Yes, after you made your suggestion about height, it got me thinking about sight-lines -- just so that everyone could see the trick. I can see how an L-shaped configuration would work really well. I think I can arrange something, like having people sit on the couch and chairs, and I sit on a chair, all of us gathered around the coffee table.
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martonikus Regular user 173 Posts |
Hi! You can do an Elmsley or Jordan count at chest height with the cards (or backs) face on to the spectators in a vertical orientation. Take each card in front (spectator side) of the last. To do the counts, modify your grip by extending the right thumb (assuming you are counting into the left hand). Instead of pushing off a packet with the thumb, push it off the front side using the fingers. By extending your thumb, this allows you to retain a grip on the remaining cards. You will leave the repeating cards under the thumb, instead of under the fingertips. Practice this in front of a mirror. It's not especially difficult. Good luck!
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Bob G Inner circle 3007 Posts |
Thanks, Martonikus; nice to hear from you! The time has come to give this a try! A few people suggested this idea in the past, but I was too embroiled learning the standard position to give time to the vertical position you describe. My regular EC count is good now, though. And there's a nice description of both in Liam Montier's Elmsley Count Project DVD.
Bob |
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gregg webb Inner circle 1564 Posts |
Martonikus is right. Can do it up vertically. Another solution is to be standing while the viewers are sitting, unless that has already been mentioned, and do it the usual way.
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Bob G Inner circle 3007 Posts |
Another solution that a friend on the Café suggested: use a lower table. Nick's "coffee table" idea is an example, but a card table -- higher than a coffee table but lower than a dining table -- might well work. Haven't tried it yet.
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