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Mac_Stone
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On Feb 6, 2023, Morganjj wrote:

Then I'm sure you won't have any issue quoting Craig directly as to the claim you think he made that warranted your dragging Phil's name into this, eh? Let the chips fall where they may and lets see who is doing the deliberate misintreptation.

His name is Max.
da5id
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On Feb 6, 2023, mralincoln wrote:
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On Feb 6, 2023, da5id wrote:
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On Feb 6, 2023, mralincoln wrote:
Maybe that’s true for Netrix. However, that doesn’t negate the argument. Being a member of the other two, I believe it is applicable for them. The point is a release is a release whether it’s in a subscription service or not. Nor does the fact that it is released to a few mean an effect is fair game.


One is searchable and the other is not. It’s not about it being a subscription service. The non-subscription stores list the effects not the secrets. This is the only thing that matters for due diligence. If your trick is not findable you won’t get credit. Kind of obvious. I’m not sure why some are struggling to understand this.


I appreciate the explanation related to “due diligence.” Thank you for the distinction you made here. I understand your point. However, for me, there is a bit more involved here. My concern is that some of the arguments being made appear to be justifying selling previously “released” tricks if there was a small number of purchasers and/or the effect was “released” in a subscription-based (meaning private and limited) forum. Whether it’s a subscription service or a single lecture at a small magic club (which would also not be “searchable”), if one knows (or finds out) an effect was someone else’s prior, one does not have “the right” (ethically) to continue to market the effect without some kind of acknowledgment, permission, credit/recognition, and/or compensation being given. Even if “due diligence” was done—and even if an effect was an “independent creation.” I, personally, believe this would apply once the “new” creator learns of the previous iteration of the effect. Communication with the original creator (if available/accessible) would seem to be appropriate to determine the best way to rectify the situation.


Unless the finding out came in the form of threats and bullying.
bangobango
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On Feb 6, 2023, TStone wrote:
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On Feb 6, 2023, bangobango wrote:
Again, ideas, such as methods to a magic trick, are not copyrightable.

If you can perform it, it is not an "idea" but a realised expression of an idea.


And your performance can be copyrighted, but the process or method is not. At least, that is my understanding in briefly researching it.
bangobango
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On Feb 6, 2023, Mac_Stone wrote:
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On Feb 6, 2023, bangobango wrote:


Why does he have an obligation to do "exhaustive research" on whether or not a trick has been done before?



Because that's what he claimed. Also, yes that's what is expected and had he done that 10 years ago he would have avoided the Red situation entirely.


Did you ever consider what he thinks is exhaustive may not be what you consider exhaustive? It's a rather subjective word, is it not?

And I don't know what happened with Red ten years ago has to do with today and now, but it certainly makes it seem that you biased in this conversation by bringing it up again out of the blue.
Sudo Nimh
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On Feb 6, 2023, Mark_Chandaue wrote:
It was also not easy for someone based in the U.K. to share ideas with Max. I sent Max some things via email and I think the first one got a reply after around 6 months, none of the others ever got a response. Likewise it was rare to get a response via Facebook messenger. The best time to catch Max was at the session although I think the last time he attended was before the pandemic. At the session Max was very generous with his time, wisdom and knowledge, especially if you were a smoker as the lack of other smokers these days meant you got a lot of quality 1 on 1 time with Max in the smoking area. At some of the larger conventions the demands on Max’ time were far greater.

Mark



That's so odd; I had the opposite experience with Max. Before Facebook, I could email Max and I would get a response back that day or the next. Before he passed, I made several credit inquiries with him on FB Messenger and he responded nearly instantly. The last time, was for the origins of a very peculiar and old idea. I told him about my suspicions regarding its origins. 10 mins later, he informs that my suspicions about this obscure thing were the same as his. However, a huge list of credits and references followed which I had missed. And I mean, these were really crazy things like " Back of Weetabix Cereal Box, 1954" - stuff like that. It kinda blew my mind.
If I write what I feel, it's to reduce the fever of feeling. What I confess is unimportant, because everything is unimportant.
Morganjj
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On Feb 6, 2023, Mac_Stone wrote:
Quote:
On Feb 6, 2023, Morganjj wrote:

Then I'm sure you won't have any issue quoting Craig directly as to the claim you think he made that warranted your dragging Phil's name into this, eh? Let the chips fall where they may and lets see who is doing the deliberate misintreptation.

His name is Max.


I see that your answer is no, which does make it very easy to see who's being deliberately misleading, eh?
Mark_Chandaue
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On Feb 6, 2023, Sudo Nimh wrote:
Quote:
On Feb 6, 2023, Mark_Chandaue wrote:
It was also not easy for someone based in the U.K. to share ideas with Max. I sent Max some things via email and I think the first one got a reply after around 6 months, none of the others ever got a response. Likewise it was rare to get a response via Facebook messenger. The best time to catch Max was at the session although I think the last time he attended was before the pandemic. At the session Max was very generous with his time, wisdom and knowledge, especially if you were a smoker as the lack of other smokers these days meant you got a lot of quality 1 on 1 time with Max in the smoking area. At some of the larger conventions the demands on Max’ time were far greater.

Mark



That's so odd; I had the opposite experience with Max. Before Facebook, I could email Max and I would get a response back that day or the next. Before he passed, I made several credit inquiries with him on FB Messenger and he responded nearly instantly. The last time, was for the origins of a very peculiar and old idea. I told him about my suspicions regarding its origins. 10 mins later, he informs that my suspicions about this obscure thing were the same as his. However, a huge list of credits and references followed which I had missed. And I mean, these were really crazy things like " Back of Weetabix Cereal Box, 1954" - stuff like that. It kinda blew my mind.

It may be that the email address I had for him wasn’t his primary email. At the session I was able to spend a lot of time with Max and he was always extremely helpful (and often awe inspiring) with crediting help. It never ceased to amaze me how off the top of his head he could provide you with credits for every element of an effect right down to which specific issue of a magazine and even sometimes which page from 1935 the item appeared in.

At the recent session it was really sad to not see Max there. It’s almost like the largest database of magical history just got wiped and there was no backup. Although my sadness was more about the loss of such a kind, generous man with such a razor sharp wit.

Mark
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Mac_Stone
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On Feb 6, 2023, Morganjj wrote:

I see that your answer is no, which does make it very easy to see who's being deliberately misleading, eh?


Sorry, I'm busy rewatching Craig's video so I can get you that answer. So far you are right, Craig has not claimed to have made exhaustive research, only two years of due diligence.

As I'm listening back to Craig's telling of events I hear a lot of "please's" and "prefer's" in the emails sent by the other guys, not so many demands and threats as he has insinuated.

Also, in the future please refer from shamefully misnaming Max. Legally, and in every other sense, his name is Max Maven and that is how he should be remembered.
mralincoln
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On Feb 6, 2023, da5id wrote:
Quote:
On Feb 6, 2023, mralincoln wrote:
Quote:
On Feb 6, 2023, da5id wrote:
Quote:
On Feb 6, 2023, mralincoln wrote:
Maybe that’s true for Netrix. However, that doesn’t negate the argument. Being a member of the other two, I believe it is applicable for them. The point is a release is a release whether it’s in a subscription service or not. Nor does the fact that it is released to a few mean an effect is fair game.


One is searchable and the other is not. It’s not about it being a subscription service. The non-subscription stores list the effects not the secrets. This is the only thing that matters for due diligence. If your trick is not findable you won’t get credit. Kind of obvious. I’m not sure why some are struggling to understand this.


I appreciate the explanation related to “due diligence.” Thank you for the distinction you made here. I understand your point. However, for me, there is a bit more involved here. My concern is that some of the arguments being made appear to be justifying selling previously “released” tricks if there was a small number of purchasers and/or the effect was “released” in a subscription-based (meaning private and limited) forum. Whether it’s a subscription service or a single lecture at a small magic club (which would also not be “searchable”), if one knows (or finds out) an effect was someone else’s prior, one does not have “the right” (ethically) to continue to market the effect without some kind of acknowledgment, permission, credit/recognition, and/or compensation being given. Even if “due diligence” was done—and even if an effect was an “independent creation.” I, personally, believe this would apply once the “new” creator learns of the previous iteration of the effect. Communication with the original creator (if available/accessible) would seem to be appropriate to determine the best way to rectify the situation.


Unless the finding out came in the form of threats and bullying.


I understand the point. I obviously do not support inappropriate “threats or bullying,” but I also do not hold to situational ethics. Again, my concerns are about broader issues/attitudes rather than the specifics of the current controversy. As someone mentioned earlier in this thread, as magicians (including creators), we should approach such issues with graciousness and respectfulness. Thanks for your interaction, da5id!
Morganjj
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Sure I can do that.

I won't be lectured on shame by someone who invokes the dead in order to attempt to bully others under false pretenses, though.

And how are you now listening to Craig's telling of events and pointing out these "pleases," and "prefers," when earlier you were implying you'd read the initial emails and Craigs response?

Have you read the emails or not, Mac_Stone?

If you have, why is that?

The whole thing where you pretend you're just an outside observer is transparent, which is why I posted initially.
1tepa1
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Shaming someone for using the wrong name of a magician like its some big deal comes of as pretentious. Its not "shameful". Max put out multiple magic books and tricks under the name Phil, so someone using that name either by accidental memory lapse or by not knowing which of the two names is the real one is not a big deal to be ashamed of. A simple correction would be helpful, shaming is not.
Sudo Nimh
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On Feb 6, 2023, Mark_Chandaue wrote:
At the recent session it was really sad to not see Max there. It’s almost like the largest database of magical history just got wiped and there was no backup. Although my sadness was more about the loss of such a kind, generous man with such a razor sharp wit.

Mark


That pretty much summarizes how I feel about his loss, too. I imagine that feeling is widespread across the art.
If I write what I feel, it's to reduce the fever of feeling. What I confess is unimportant, because everything is unimportant.
Mac_Stone
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On Feb 6, 2023, Morganjj wrote:
Sure I can do that.

I won't be lectured on shame by someone who invokes the dead in order to attempt to bully others under false pretenses, though.

And how are you now listening to Craig's telling of events and pointing out these "pleases," and "prefers," when earlier you were implying you'd read the initial emails and Craigs response?

Have you read the emails or not, Mac_Stone?

If you have, why is that?

The whole thing where you pretend you're just an outside observer is transparent, which is why I posted initially.


To be clear, you were the one that started lecturing me on shame. And the reason I invoke Max's name is because he was involved in and credited with the Real Secrets project, his contribution being the inverse binary system he published in The Violet Book of Mentalism. So as you can see, Max could have very definitively pointed Craig in the right direction.

Not once have I ever implied that I have read these emails and I invite you to find the quote where I do. When you don't please state so publicly so as to prevent any further deliberate misinterpretations.

I have not read the emails, I am not personally involved in this any more so than you.

You too seem to have dropped your tinfoil hat.
Morganjj
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On Feb 6, 2023, Mac_Stone wrote:
Based on Craig's version of events? Yes, I do.

He reads off a few choice excerpts from what are probably MANY email exchanges back and forth and that is somehow supposed to represent a whole, complete, and truthful recounting of events? Craig obviously has an incentive to- as he puts it, "control the narrative," in a way that suits him. Arguably the other guys have the exact same incentive. I'm not here to argue about any of that, I never have, only to state the clear and simple fact the other guys did it first.

The fact that Craig was unaware of this is forgivable, Weber even says as much in his first email and goes so far as to compliment Craig on coming up with a great idea, an easy compliment to give as Weber came up with it first. Craig immediately and defensively responds from a position that Weber has fabricated a story in order to prevent Craig from moving forward with his project, undoubtedly because he still holds a grudge over the Red fiasco.


The implication of the above is that you have insight into the content of the emails.

If that's all simply based on Craigs commentary then you're right and you have no special insight and I've read the implication wrong.

But if that's so, then the above quote shows way too much confidence about the contents if all you've heard is some cherry picked quotes. That's all.
Sudo Nimh
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On Feb 6, 2023, bangobango wrote:
It's surprising to me that there hasn't been a system agreed to by the community of magicians to handle things like this. The simplest solution seems to be using a common database to list the effects, and if your trick isn't listed in the database, then it is free game for anybody who independently comes up with something similar. I know that there is the Conjuring archive, but it doesn't appear that there is the understanding among magicians that if you want to protect your trick, then you better make sure it's in that central database. I mean, in a sense that is just common decency so that others don't waste their time, money, and labor working on something only to be told at the eleventh hour that somebody else is asserting ownership over it.


I agree. As a creator, it can be difficult sometimes. First, you have to be very careful with who you turn to when trying to do due diligence because not everyone can be trusted and there are sharks out there who will steal your work. Additionally, sometimes you will approach a fellow who has work in the same vein as yours and ask for permission and they can (A) not give permission (B) give permission (C) claim they "already had that idea" and then deny permission and now publish your idea as their own. A stifles creativity. C doesn't stifle creativity, but steals it. The only good outcome is B.

Max could have made a LOT of money if he charged a flat fee of $100 (or whatever) for vetting services. And you wouldn't have had to worry about your work getting stolen either. Every creator would have gone to Max and this problem would be virtually non-existant. This is what we really need. But who can fill those shoes? Perhaps Bill Kalush at Conjuring Research Center? He has the resources and it's kinda right there in the name, isn't it? Pay a little money up front to see if your work is worth publishing/marketing. That way you don't spend a bunch on production costs and end up with a situation like we have here afterwards. There's a good business model here for an enterprising individual with the right attributes.

Or an official board... sort of like the Library of Congress, but for Magic. All creations go through it and a team determines if something meets a set criteria if it borders on infringement. They keep a copy in their library or database of every new release. You get the idea.
If I write what I feel, it's to reduce the fever of feeling. What I confess is unimportant, because everything is unimportant.
Sudo Nimh
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I see that I missed Craig's most recent video on this situation. Just watched it.

I still stand with Craig on this matter and bowing out of the discussion because it's affecting my well-being.
If I write what I feel, it's to reduce the fever of feeling. What I confess is unimportant, because everything is unimportant.
Consultthemind1
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A lot has happened since I have been gone!

The rabbit hole just got deeper; I contacted Scott Dressburg and got an interesting reply.

Before getting to his response, for anyone that didn't see my earlier post - I referenced a letter Scott Dressburg sent me in the 90s.

I fished out that letter and it is dated April 14th 1996, it says (copied verbatim) -

"I think I have finally finished my new effect. I call it "Little Shop of Horrors". I have been using Stuart Robson's "Horrors!" for almost five years and wanted a hook that made sense. This is gonna cost you, but it's worth it - so get your hand in those deep pockets. Go shake off the dust from your old copy of Practical Mental Effects and find Horrors. Lay the book open, take six slips of paper and look at the crib or key whatever it is called on the book's page. Copy that key but instead of copying the words, write a cheap shopping item instead. Take each of the other pieces of paper and where each word is, look at its shopping item equivalent and write the shopping item in place of the word. I know what you're thinking tedious right? Well there's more.You now have to go to the shop with those five pieces of paper, five times and buy each of the shopping items in that order from each of the pieces of paper so you have the receipt. Write the numbers into the bottom corner of the receipts as described in the book and now by following the instructions detailed in the Horrors routine you can perform a thought of shopping item trick that fits in your wallet. Tada".

There's more in the letter that is not relevant here.

After this drama unfolded it gave me the excuse to call Scott. Before I share Scott's response he has asked me to make it clear - Scott doesn't want to be involved in drama and in his own words "I am too old and haven't been in the game in such a long time that it's a distant memory to me".

Ok, onto what Scott said (not copied verbatim), but the essence of it. It was a long phone call, and most of it was not relevant. Scott was never a famous magician, he was not even what he would consider a performer. He was a member of a local magic club who table-hopped from time to time, and at his club, members were asked to do "show and tell" nights which were like mini-lectures.

Scott put together a set of ten lecture notes (that technically weren't lecture notes) titled "Little Shop of Horrors" to give to other members of the club.

Scott has agreed to send an original set of notes to Denis from Conjuring Archives for verification. Behind the scenes, I have been in contact with Denis, who has agreed to have the notes sent.

Scott wanted me to make it very clear that he doesn't want credit, he doesn't believe the idea is original to him as it seemed too much of an obvious solution and even though he printed notes and gave those notes to a limited number of people (some of which he still has the contact information for) he doesn't expect anyone to acknowledge the effect as his creation. He thought (from the outside) that this drama is fruitless because he is sure that he cannot be the only person to play with the binary principle and shopping items, he said (this is copied verbatim as it made me laugh) - "I mean come on, Robson was doing that sh*t in the 1930s".

You might wonder why I have posted the above information if Scott doesn't want to be involved.

It (to me, at least) goes to show that the idea was not original to Weber and Trono and that until we have seen Craig's Explanations, we don't know how far the plot has been moved forward. We are estimating based on feelings instead of waiting and approaching this logically based on facts.

Craig has stated openly that they likely did use the Age Card Principle with receipts, and he happily credits them. What he disagrees with is them saying this is an outright copy without seeing the explanations and how far the plot has been taken. I think we can agree that Craig didn't steal the effect from Trono and Weber because its availability was too limited to aptly be able to research. If Craig is to be done for stealing because the idea was available in a limited capacity before him, then Weber and Trono should also be catching heat as Scott also shared his idea in a limited capacity before them also.

David.
dirtyfoucault
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"Craig has stated openly that they likely did use the Age Card Principle with receipts, and he happily credits them. What he disagrees with is them saying this is an outright copy without seeing the explanations and how far the plot has been taken. I think we can agree that Craig didn't steal the effect from Trono and Weber because its availability was too limited to aptly be able to research. If Craig is to be done for stealing because the idea was available in a limited capacity before him, then Weber and Trono should also be catching heat as Scott also shared his idea in a limited capacity before them also."

Looks like Weber has been caught with his hand in the cookie jar Smile

Joking but this post does highlight the absurdity of Trono and Weber's argument.
leipzisch
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On Feb 6, 2023, da5id wrote:
Quote:
On Feb 6, 2023, mralincoln wrote:
Maybe that’s true for Netrix. However, that doesn’t negate the argument. Being a member of the other two, I believe it is applicable for them. The point is a release is a release whether it’s in a subscription service or not. Nor does the fact that it is released to a few mean an effect is fair game.


One is searchable and the other is not. It’s not about it being a subscription service. The non-subscription stores list the effects not the secrets. This is the only thing that matters for due diligence. If your trick is not findable you won’t get credit. Kind of obvious. I’m not sure why some are struggling to understand this.


Now THIS is the most sensible post thus far.
leipzisch
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On Feb 6, 2023, mralincoln wrote:
Quote:
On Feb 6, 2023, da5id wrote:
Quote:
On Feb 6, 2023, mralincoln wrote:
Maybe that’s true for Netrix. However, that doesn’t negate the argument. Being a member of the other two, I believe it is applicable for them. The point is a release is a release whether it’s in a subscription service or not. Nor does the fact that it is released to a few mean an effect is fair game.


One is searchable and the other is not. It’s not about it being a subscription service. The non-subscription stores list the effects not the secrets. This is the only thing that matters for due diligence. If your trick is not findable you won’t get credit. Kind of obvious. I’m not sure why some are struggling to understand this.


I appreciate the explanation related to “due diligence.” Thank you for the distinction you made here. I understand your point. However, for me, there is a bit more involved here. My concern is that some of the arguments being made appear to be justifying selling previously “released” tricks if there was a small number of purchasers and/or the effect was “released” in a subscription-based (meaning private and limited) forum. Whether it’s a subscription service or a single lecture at a small magic club (which would also not be “searchable”), if one knows (or finds out) an effect was someone else’s prior, one does not have “the right” (ethically) to continue to market the effect without some kind of acknowledgment, permission, credit/recognition, and/or compensation being given. Even if “due diligence” was done—and even if an effect was an “independent creation.” I, personally, believe this would apply once the “new” creator learns of the previous iteration of the effect. Communication with the original creator (if available/accessible) would seem to be appropriate to determine the best way to rectify the situation.



Equally sensible and not contradictory to the prior post I quoted.
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