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Chris Meece Special user Somerset Kentucky 859 Posts
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Briefly I'll give you some background. I started in magic at age 5 and I turn 50 years old this year. I have progressively suffered with essential tremors my entire life. It always limited my magic even though I had a great love for it. I only did a couple shows a year, mostly birthday parties and parlor/stage and a lot of closeup. I was in my element and enjoyed myself while performing but I couldn't rely on my hands, so I simply didn't put myself out there much even though I practiced a lot at home. Several months ago I had the opportunity to do my cups and balls for Lance Burton and I could barely hold onto the balls my hands shook so much. And I honestly wasn't that nervous about performing it beyond my essential tremors. I was so ticked at myself and quite honestly had a pity party. I did some research and found a neurologist in Lexington. I have near rock stable hands now. We will still need tweak my dosages but it has given me a new lot on life. It is absolutely amazing. So many years of practice to no avail and now it comes effortlessly.
Ok, that wasn't brief. Anyway, I am piecing together a show to really have a go at this now. I love comedy but I don't want to do a full blown Mac King version of a show. (Granted I have never seen his show, I may be way off) I wanted to ring in some comedy along the lines of Copperfield's specials. So to my question ... how many comedy routines do you do in a show? Here is the list I am whitling down and editing: 1. 5 card box -Comedy 2. Linking rings (Whit Haydn) -Comedy 3. Cups and balls –a little comedy 4. Egg bag 5. Poison? (Eric Samuels) 6. Shoe business -Comedy 7. Color Psychology 8. Thimple Thumb Tie (or Suit Jacket Escape) - Comedy 9. Pi Max 10. Cody’s Comedy Book test (I ordered this today after seeing a performance last night) -Comedy 11. Pitata Smart Scale with buttons or candies 12. Multi sensory bag with phones. 13. Cubesmith? 14. ISO app with bill in impossible location 15. Peek wallet/The Fox/Drawing Duplication/Pitata? a. Truth coin 16. Kurotsuke 17. Wikitest? Cups and balls definitely stays in. I can't do two book tests, Pi Max and Cody's book test. 5 card box is the greatest opener I have ever seen. I will massage this list as I start performing it and see the reactions and of course I am not doing 17 routines. But back to my question: How many comedy routines do you do in a show?
All small town magicians know what 793.8 signifies.
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Dannydoyle Eternal Order 22250 Posts
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Forget how many comedy routines, that seems like a lot of routines period for a show.
How long do you plan to be on stage? Here is a tip. They have to like you. Comedy will come much easier if you have that bridge crossed. Many things that are just mildly amusing will get outright laughter if they like you. Every routine you do should be designed to deepen that bond with your audience. It will also make the astonishment that much more fulfilling for them. Try concentrating on that more than comedy Not comedy and it will probably all sort itself out.
Danny Doyle
<BR>Semper Occultus <BR>In a time of universal deceit, telling the truth is a revolutionary act....George Orwell |
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harris Inner circle Harris Deutsch 8828 Posts
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The more I put me into my shows the funnier
i was seen. Sometimes my laughs came when I wasn't expecting them. Using a fabric softener sheet like a scarf I tell the true story of when I put a whole box of bounce in the dryer instead of one. Books that help my arts including comedy include The Artist Way (by Julia Cameron) and Zen and the art of the Monologue by Jay Sankey. My show fits me and is altered depending on my audience. These days I use fewer parts. Harris Deutsch age 69+ Palms of Aluminum Foil
Harris Deutsch aka dr laugh
drlaugh4u@gmail.com music, magic and marvelous toys http://magician.org/member/drlaugh4u |
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charliemartin Special user Denver, CO 821 Posts
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Sometimes less is more. Be relatable, let your character/personality shine and be the spotlight. Find a trick that really reasonates with you and make it a focal point of your show.
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1KJ Inner circle Warning: We will run out of new tricks in 4392 Posts
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I would suggest you think about the flow of your show without the magic routines and then add magic routines. In other words, script a show like you are scripting a short movie or a story or a plot or a comedy routine and then figure out which magic effects work best. Watch a good comedy show and you will see that there is continuity and there are callbacks. One thing should lead to the next. It should have a beginning, and middle, and an end. There should be ups and downs and a conclusion that leaves the audience feeling special, like a good movie.
Hope that helps. KJ |
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Pop Haydn Inner circle Los Angeles 3719 Posts
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Quote:
On Nov 15, 2023, 1KJ wrote: I think that one should build and script a show around the effects and routines you are planning on demonstrating. The magic is the determining factor, not an afterthought. You need a set of routines that include a good opening effect, engaging middle routines and a strong ending. Then you build character and story around that framework, and from that you write the script. |
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Brent McLeod Inner circle 1830 Posts
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Work on a show based on a few routines that you think might work, seriously go to a comedy club and watch the amount of time even newbies put into stage time with a routine, what Magicians think is funny may not work in a comedy arena. You need to get a lot of stage time with routines to develop your persona and if the audience like you they will like your comedy.
Ive seen brilliant comedy routines with cards across and tossed out decks and blindfold revelations etc ut its all based on the fun with the spectator. You mention Mac King but havent seen him...the 1 thing Mac King, Michael Finney, Jeff Hobson, Nick Lewin etc have in common is they worked the comedy clubs and built routines. Look at Hobsons Egg Bag or card from mouth so much great work and originality Take a writing class and learn how to script a joke that suits the magic you perform. Magic is hard enough to perform but to perform a Comedy act and develop it as a comedy act demands as much stage time at open mics and any place you can perform and take notes on what work and what doesn't. My first talking comedy routine I use after a music intro for most shows I perform in the tough corporate market I spent over a year developing on stage and clubs and numerous advice from Comedians etc to fine tune it..it gets a good laugh You have a lot of work to do but enjoy what you select and develop each effect 1 at a time, before you know you will have 20-30 mins of great material. Check out Jeffs Card from Mouth and think how much work went into this comedy routine. Its just fun for a trick we all do https://www.youtube.com/watch?v=So2KdK5K......index=44
Professional Corporate Entertainer
https://brentmcleodmagic.com/ https://www.youtube.com/watch?v=R9jnyEMZzX8 |
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